Not every post goes deep into technical stuff, because it's often very repetitive and boring but in this one I'll tell you more about the used light setups.
As you know, i tend to keep things simple and i have to say that as i am evolving (well yes i think i do anyway) i'm getting less into technical issues and more into the models pose, looks, mood, look & feel etc
It becomes less important to me to make an image which is technically correct but totally sterile on the emotional and content side, it's a quest for a style that fits me, but for the moment, my holy grail is not yet know...
Light setup, 1 standard reflector on an Elinchrom Monobloc Rx, model in front of a white wall
Gridded striplight 140x30cm , soft, yet very directional light, fun to play with
Open reflector once again
210cm parabolic light modifier, big source but very directional en pretty flat light, looks a bit like the ring flash effect but still less flat and with directional shadow
Elise Corten, Mua Mir Goetschalckx
Michel Engelen - Atmikes.eu
Diary of a Belgian photographer, just another guy with a camera
Saturday, January 28, 2012
Elisa
Changed the high contrast black&whites i often used for this softer look, it seems to hold a wider range, not like we have on film, digital will always be different which does not mean better or worse, just different...
Wetlook hair in combination with those eyes, just to make you melt :-)
WH²
Whitney and her super kind young Huski, with such eyes i couldn't resist taking her picture :-)
I used the 120cm octa with grid, in the past i used the 120cm octa without grid a lot but i found the light very hard to control and often too flat, now with the grid there is a very nice quality of light and it is very directional which is really useful.
But she was looking for a photographer who could turn her into an amazing golden girl, and this is one of my latest looks that i can supply to models, always a nice addition for a portfolio
I have to say this looks works very well on skintones, i've been asked by a model to do it clothed which i refused because it would not comply to the entire look & feel i have in mind for this gold series
Friday, January 6, 2012
Renée and Peggy
Window light, often imitated, never equaled...
Model is Renée Van Osta @Flagmodels
More than always amazing make-up artist: Peggy Timmermans
Previous where 100% natural available light, next three are more "strobist" because natural light was not satisfactory for this shot.
Camera Left, da über fantastic Westcott Apollo Softbox with the Sb-900 and on the door in the background another flashlight with a 1/2 CTO Gel to add a bit of warmth to the shot
This is the D700 at his best, ISO 2000, 100% windowlight (just a bit of late afternoon light)
Shooting with Peggy is so relaxed and we always have much fun, off course this results in some "we go crazy stuff " you can find more on her - Blog post -
Model is Renée Van Osta @Flagmodels
More than always amazing make-up artist: Peggy Timmermans
Previous where 100% natural available light, next three are more "strobist" because natural light was not satisfactory for this shot.
Camera Left, da über fantastic Westcott Apollo Softbox with the Sb-900 and on the door in the background another flashlight with a 1/2 CTO Gel to add a bit of warmth to the shot
This is the D700 at his best, ISO 2000, 100% windowlight (just a bit of late afternoon light)
Shooting with Peggy is so relaxed and we always have much fun, off course this results in some "we go crazy stuff " you can find more on her - Blog post -
Naomi
Welcome to 2012..
I'm so glad with this new light modifier, the Walimex Pro series 120 cm octa with grid. Until now I only used the "normal" softboxes, strips, octas but as i have to transport them all the time assembly and disassembly was becoming a P.I.T.A (Pain in the ass)
The Walimex has an umbrella like system so this is way easier and the addition of a grid is just what i needed to get more control over my light, I'll be ordering the Striplights very soon ;-)
A bit of lighting and setup info for these black & whites
Front: on camera left the 120cm Octa with Grid
Back: on camera Left a 120x30 striplight and white seamless
D700 with 85mm ISO 200 ± f:8 / f:11
Aluminium foil + pretty face and the amazing make-up of Yinka Gboyega gave us some pretty pictures
Lighting and setup info:
Front: - Camera Left, Octa 120cm with grid, Camera Right striplight at 1 stop less than the Octa
And a bounce panel very low to fill shadows a bit from beneath
Back: White seamless paper
For this second and third result I tried to push the "whites" and saturation a little further than the previous picture...
The Walimex has an umbrella like system so this is way easier and the addition of a grid is just what i needed to get more control over my light, I'll be ordering the Striplights very soon ;-)
A bit of lighting and setup info for these black & whites
Front: on camera left the 120cm Octa with Grid
Back: on camera Left a 120x30 striplight and white seamless
D700 with 85mm ISO 200 ± f:8 / f:11
Aluminium foil + pretty face and the amazing make-up of Yinka Gboyega gave us some pretty pictures
Lighting and setup info:
Front: - Camera Left, Octa 120cm with grid, Camera Right striplight at 1 stop less than the Octa
And a bounce panel very low to fill shadows a bit from beneath
Back: White seamless paper
For this second and third result I tried to push the "whites" and saturation a little further than the previous picture...
Sunday, January 1, 2012
Tuesday, December 27, 2011
Gold, part 2
The golden girl, part 2 ..
The next pictures gives you a little insight on the extensive post processing that goes into these "golden" pictures, count on ± 5 hours work / photo
And a bit of a special Make-up look we wanted to try out, Liesbeth did a great job :-)
Model is Karen DW - MUA: Liesbeth De Smedt
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Let's try out some different things !!
And a bit of a special Make-up look we wanted to try out, Liesbeth did a great job :-)
We even made it on the picture of the day contest that runs on Model Mayhem, woohoo!
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